Revision Love Course

Self-edit your writing and make your words shine.

Next Session: January 2025

Become your best editor

Become a skillful editor of your own writing, with helpful assignments from an author and a literary magazine editor (that’s me!). Gain confidence as you bring your revision skills—and writing career—to the next level.

Revision Love Course

Registration is Currently Closed

Registration will open again in December 2024! Join the waiting list below to be notified.

Is this you?

  • You’re stuck in revision.
  • You avoid taking a piece of your writing apart because you are unsure how to put it back together again.
  • You have trouble discerning which advice to heed after a writing critique.
  • You need motivation to go back to your drafts and bring them home.

If you identified with any of the above, Revision Love is for you.

Rachel Thompson

Self-Edit & Make Your Words Shine!

After Revision Love...

  • You’ll confidently edit your own writing.
  • You’ll have ten concrete strategies that will improve your writing.
  • You’ll know how to receive (and give) good feedback.
  • Your writing will be ready for publication.
Rachel Thompson

Hi, I'm rachel Thompson

Bring your self-editing skills to the next level with lots of help from me!

I am a literary magazine editor (with Room), a published author, and the host of the Lit Mag Love Podcast (For Creative Writers Who Want to Publish). 

I am here to help ​you write and publish​ your ​most luminous work.

I feel like the lessons were built for me. I have so many ideas, revelations, and a lot of clarity about my writing now.

Whitney French

Editor, Black Writers Matter

The fact that Rachel is an editor as well as writer, felt like she was qualified from a unique and valuable perspective. The revision techniques I learned in the course has helped me challenge myself more, and I’m more confident as I write my stories.

Dorryce Smelts

Fiction Writer

I was able to put on my revision hat on as I worked through a piece that I’m surprised and delighted to say won first place in the Prairie Fire CNF contest.

Jagtar Atwal

Winner, Prairie Fire Creative Non-Fiction Contest 2018

During the course, I was able to polish and organize a chapbook manuscript and it was shortlisted for Quattro’s Best New Canadian Poets contest!

Tara Borin

Author, The Pit (forthcoming, 2021)

Revision Love Student Stories

How Lacey went from frozen to finding the way through her novel revision.

Lacey Yong is smiling in front of a window, wearing a red and blue Madarin-collared shirt and her hair is black and pulled behind her head.
Lacey Yong was in the early stages of her writing journey.

“I had just moved back to Canada from London, UK and suffered a serious illness, and in the wake of these major life changes, I decided to pursue my dream of being a writer.”

Encouraged by an acceptance from a lit mag, she leaped into drafting her first novel.

“I began writing creative nonfiction at the end of 2019, and the second piece I ever wrote was accepted for publication by Prairie Fire in January 2020. I completed the first draft of my novel in a whirlwind seven weeks.”

When it came to revision, she felt frozen. (And alone.)

“The length of the manuscript and the prospect of correcting each problem I saw was overwhelming.

I tried outlining; I tried reading blog posts on revision; I tried beating myself into revising every day and berating myself when I failed. No matter what I did, the magic of the initial creation was gone and all I succeeded in doing was exhausting myself.

I was also writing in isolation, without a community with whom I could talk to about my struggles.”

She just wasn’t sure how to make progress with her writing.

“I struggled to understand what revision is (and what it isn’t!) and how to transform it into a systematic approach that would help me make measurable progress on my manuscript.”

In the Revision Love course, Lacey found a way into revising her writing—one that was surprisingly joyful.

“One of the most valuable things Revision Love gave me was a reliable starting point. Every time I revise a chapter, I begin with the gems in the way that Rachel taught me. It was a revelation to learn that revision doesn’t always have to be painful and that it can be as generative as the first draft.

Focusing on what is working, rather than the ‘problems,’ changed everything for me.”

Now that she’s completed the Revision Love course, she’s says, “The future feels very hopeful to me.”

“Revising a novel is like creeping around in the dark: you move slowly and you hope the direction you are headed in is the right one. However, thanks to Revision Love, I have a candle to guide me.

I have returned to revising my novel with a renewed sense of purpose, and I aim to start the query process in 2021. There are days when it is still hard, but speaking with Rachel and connecting with the community she has created reminds me that I have to forgive myself when I think I am falling short, and keep going.”

About the course, Lacey says:

“Take Revision Love! Rachel’s kind and wise instruction, her asynchronous learning format, and the beautiful group of writers she attracts will keep you going through the darkest nights of the soul.”


How Mridula learned to polish her precious words.

Mridula looks to the right of the camera, wears glasses, has a neutral expression, and short-cropped dark hair in this black and white photograph closeup of her face.
Mridula Morgan has loved words as long as she can remember.

“Raised by a grandmother and mother who both taught in Catholic schools in India, I fell in love with words quite early. Reading and writing are akin to inhaling and exhaling to me—I need them to survive.

But she found writing became more challenging over the years.

“While it was easy to write stories growing up, winning 2nd place in a poetry contest along the way, creative writing in adulthood has been increasingly difficult. I blame it on that elusive creature ‘time’ – I don’t have enough of it because _______. ”

With this sense of urgency, everything she wrote became precious, and therefore difficult to revise.

”Every word I manage to squeeze out/get down feels like an accomplishment and I feel quite protective of it. I believe it is vitally important and thus nearly impossible to cut out words as I generally tend to write about issues that mirror my identity as a cis settler of colour and speak to issues of oppression and living at/on borders.”

She knew that she needed to edit her writing in order to publish.

“Shitty first drafts, I’ve learned, are meant to be re-sculpted. After putting aside first drafts for a day or two, I’d go back and re-read and try to pull out a sentence, add a word, or move a paragraph and sit back with satisfaction thinking I’d edited my draft. And still, nothing felt worthy of being submitted for publication.”

In the Revision Love course, she learned those self-editing skills.

”Each lesson offered insight into how I might get under the surface of what was on the page. Nearly every lesson, complete with worksheets and assignments, offered new content on the craft of revising. I’d never considered beginning to dissect from the middle of the piece, or to look at how vital it can be to balance form-mood-senses.”

And the format of the course helped her stay motivated and generate new ideas.

“While at first the weekly expectations felt daunting for me, I found it helped me to focus. I’d examine a piece and imagine how it could be redesigned with new ideas and insights.”

After taking the course, she still references the lessons as she revises her work.

”I often refer to the lessons when I’m working on a piece that needs attention. The examples offered and questions posed, balanced with my own changing life experience, support me in reimagining pieces for publication.”

What Mridula says if you’re thinking about taking the Revision Love course:

“If you’re writing then you will be undoubtedly be editing and refining your work. I’d highly recommend investing in Revision Love to grow your ‘writing toolbox’ during this process.”

How Kate Went from Having Doubts About Her Writing To Making Business Cards That Say: I’m a Writer!

Kate Finegan smiling in a black and white photo with long hair, blowing in the wind, and a historic-looking building behind her.
Kate Finegan teaches at a university by day. When she’s not working on her novel, she writes short stories for a bit of a break.

Before Kate took Revision Love, she says she felt very alone in her writing process.

“I moved to Toronto two years ago, but I still feel like I’m struggling to find my people. Finding a network of writers to help me with my revision process has probably been the hardest thing for me, because I have social anxiety.”

A lot of Kate’s concerns about her writing came from self doubt.

“There’s always the feeling with revision that I’m just kinda moving things around and changing things, but I don’t know if I’m actually making it any better or just making it different, or maybe making it worse!”

She wondered, “Am I just being a perfectionist, or am I just changing things recklessly and not making anything better?”

She said that being completely isolated in her revision made that feeling worse, because she didn’t have anyone to bounce ideas off of. She was reading books and blog posts about revision, and how to make a story better, but she said it was so much nicer in the course when she had other people to talk to and say “here’s what I’m actually going through and how can I fix this one issue that’s actually in my story, and not just advice for a generic story.”

Before signing up for Revision Love, Kate was nervous about it. 

“But then, getting into the course I found that I wasn’t the little baby bird writer where everybody else was better than me and wouldn’t listen to the work that I was writing. Now I know that there are other people struggling through the same kinds of revision issues that I’m having.”

Now she says, “I feel more confident because I feel like I have tools that can help me if I’m getting stuck on my writing.”

After completing the course, Kate finished the first draft of her novel (325 pages!), revised a second draft, joined a writers’ group dedicated to her genre, and submitted segments of the novel for publication in lit mags (18 times!). She placed as runner up in The Puritan‘s contest and is currently on the shortlist for the Cambridge Short Story Prize for the piece she worked on during the course.

“Having a step-by-step plan for revision helps me overcome that gut-sinking feeling of oh gosh, now I have to revise this thing. Having this toolkit makes revision a less daunting process, which means I’m more eager to sit down and do it, and less likely to allow fear and discouragement to keep me away from my desk.”

“I feel very good about the future of my writing and a lot of that came from the course—helping me feel prepared and ready and like I’m actually a real writer.”

(Kate even made business cards to hand out at writing events to connect with other writers!)

Revision Love Course Details


There are ​ten ​lessons​ to help you develop ​the self-editing skills you need to​ make your writing shine. The course runs for five weeks, meaning you do two lessons each week. Each lesson builds on the next as you work on one work in progress.

Registration is Currently Closed

Registration will open again in December 2024! Join the waiting list below to be notified.

Frequently Asked Questions

What writing do I need to have prepared?

Ideally you would have a complete draft of creative nonfiction, fiction, poetry, or mixed-genre writing prepared. Don’t worry if it’s not “there” yet—that’s exactly what we’re going to work on in the course! You’ll get the most from the course when you apply the lessons to a draft you’ve already revised a couple of times on your own. Also note that many writers have found the course helped them with longer works like chapters in books or chapbooks.

How long is the course?

Each session of the course runs for five weeks, and writers work at their own schedule, with live calls to connect and plenty of personal feedback.

How much time do I need to have available?

It’s really up to you and how much work you want to put into your revision. Often writers will set aside 2-3 hours per week for 4-5 weeks to complete each of the lessons and attend our live calls.

What days and times will Q&A Calls be held?

The live calls are usually set early in the day and held at least one weekend day per session. I make sure there’s at least one live time that will work for every writer in the course. Video replays are also available after each live call, and writers find it helpful to watch them and then bring more questions to our community message board.

How much is the course and do you offer payment plans?

The full course price is $475 USD.

I offer sliding-scale pricing options:
$375 USD for recently unemployed writers or writers experiencing reduced income and who do not have access to generational or personal wealth

$275 USD for writers experiencing financial insecurity and who do not have access to personal or generational wealth and/or savings.

I also offer reconciliation pricing: 
This recognizes how colonialism, white supremacy, and capitalism concentrates resources and wealth into the hands of the few at the expense of the many. The reconciliation rate of $175 USD is for BIPOC +/ Trans writers.

If it is easier for you to pay in installments there is the option to pay any of the above rates over four monthly payments.

Do you offer a sliding scale for lower-income writers?

Yes. I offer a sliding-scale rate for writers experiencing unemployment/income loss, and financial insecurity. I also offer reconciliation pricing for BIPOC +/ Trans Writers.

(See the previous FAQ answer on cost for details.)

Still Have Questions? Use this form to ask me!

Registration is Currently Closed

Registration will open again in December 2024! Join the waiting list below to be notified.

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