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The Lit Mag Love Course
Get a big “YES” for your writing from journals you love.
Live Session Runs September 23–November 4, 2024
A six-Week Guided Course
Get a big “YES” for your writing from literary journals you love. Learn how to submit writing more effectively and to kick-start your writing career, while you find and connect with your readers.
![LitMagLove LitMagLove Course](https://rachelthompson.co/wp-content/uploads/2020/06/LitMagLove.jpg)
Not having much luck publishing in lit mags?
Does this sound familiar?
- You feel overwhelmed about sending your writing to journals. (Some of it has been languishing in drawers for years!)
- You submit to lit mags, but get frustrated with the long waits, followed by the heartbreaking sting of rejection. (What do editors want!?)
- You wish you could find a community of writers to support you and your dreams of getting published.
![litmaglovecollage A woman in glasses reading a magazine and a person's hand with a pen writing in a notebook..](https://rachelthompson.co/wp-content/uploads/litmaglovecollage.png)
Publish & Shine!
![A sketched heart.](https://rachelthompson.co/wp-content/uploads/2020/06/mc-heart-2.png)
after Lit Mag Love...
- Know the steps you must take to publish your work and take those steps with lots of support!
- Get a big “YES” for your writing from a dream journal—and then another, and another.
- Have a warm community of writers at your fingertips, with helpful advice and support when you need it.
If you are ready to set some big goals for your writing this year, I’m here to help you reach them.
Hi, I'm rachel Thompson
I am a literary magazine editor (with Room), a published author, and the host of the Write, Publish, and Shine Podcast.
I am here to help you publish your most luminous work.
The Course Alumni Have Published in Over 200 Journals and Anthologies!
200 (Plus!) Lit Mags Published
Click for a list of just SOME of the journals that published writers after they completed the Lit Mag Love course...
50 Word Stories
Angry Old Man Magazine
Anti-Heroin Chic
Apparition Literary Magazine
Askance Journal
Atlas and Alice
Atticus Review
Augur Magazine
Automata Review
Baltimore Review
Barren Magazine
Belletrist Magazine
Better Than Starbucks
Black Dandy
Blank Spaces Magazine
Broken Pencil
Bywords
Canthius
carte blanche
Carve Literary Magazine
Catapult
CBC
Chaudiere Books
Cleaver Magazine
CNFC
Cold Creek Review
Contemporary Verse 2
Contrary Magazine
County Lines: A Literary Journal
Crab Fat Magazine
Crack The Spine
CutBank
Cypress: A Poetry Journal
Dappled Things
The Deadlands
Door is a Jar Magazine
Dreamers Creative Writing
Drunk Monkeys
Empty House PressEntropy
Escape Pod’s Artemis Rising 4
Ethel
EVENT Magazine
Existere
Filling Station
Five on the Fifth
Flash Fiction Magazine
flo.
Forge Magazine
Freeze Frame Fiction
Fustion Fragment
Geez Magazine
Geist
Glint Literary Journal
Gone Lawn
Grain Magazine
Haiku Seed
Hamilton Arts & Letters
Hart House Review
Held Magazine
Hippocampus Magazine
Hobart
Humber Lit Review
Imprint Anthology
In/Words Magazine
Invisiblog
JMWW
Journal of Compressed Arts
Joyland Magazine
Juncture Workshops
Kissing Dynamite Poetry
Light and Dark Magazine
Literary Mama
Little Fiction Big Truths
long con magazine
LooseLeaf Magazine
Madcap Review
Maisonneuve
Marías at Sampaguitas
Memoir Magazine
Minola Review
Mom Egg Review
Nailed Magazine
Neworld Review
OPEN: Journal of Arts & Letters
Oyster River Pages
Panorama Journal
Parentheses Journal
Plenitude Magazine
Porcupine Literary
Prairie Fire
PRISM international
ProximityPseudoPodPulp Literature
QWF Writes
Red Alder Review
Red Eft Review
revue
PØST poésie contemporaine
Reckon Review
Ricepaper
Riddled With Arrows
Riddle Fence
River Teeth Journal
Room
Rust + Moth
Sabr Literary Magazine
Santa Fe Writers Project Quarterly
SAVVYMOM
She Writes Press
Silver Birch Press
Six Hens
Sky Island Journal
Small Beer Press Lady Churchill’s Rosebud Wristlet
SubTerrain Magazine
Synth
Tales To Terrify
The /tƐmz/ Review
The Antigonish Review
The Arcanist
The Brevity Blog
The Cabinet of Heed
The Common
The Dalhousie Review
The Doctor T.J. Eckleburg Review
The Ekphrastic Review
The Feathertale Review
The Fiddlehead
The Foundationalist Journal
The Globe and Mail
The Gravity of the Thing
The Loyalhanna Review
The Lyre
The Malahat Review
The Masters Review
The Maynard
The Nasiona
The New Quarterly
North Dakota Quarterly
The Puritan
The Rumpus
Sleet Magazine
The Sun
The Walrus
The Wicked Library
The Writer Magazine
The Writing Disorder
This Magazine
Thread
Three Drops from a Cauldron
Tiny Essays
Train Journal
Understory Magazine
Unlost Journal
Vallum Magazine
Vastarien: A Literary Journal
Watch Your Head
Wild Musette Journal
WordWorks
X-R-A-Y
Lit Mag Love taught me to be more professional in terms of the writing practice. Getting published isn’t just throwing your work into the dark. You have to be strategic about it. I really liked that Lit Mag Love broke it down into specific goals.
Lit Mag Love was the impetus I needed to get serious and motivated about my submissions.
Rachel was a luminous guide offering equal parts gentle prompts and discerning truths.
My writing life has exploded since taking the Lit Mag Love course! I’ve had five short stories accepted in the space of a few months (along with some inevitable rejections) and I feel I’m really on the right track.
Being part of Lit Mag Love and working with Rachel Thompson transformed my writing by opening avenues to publications, developing community, and furthering my commitment to craft.
Rachel is a fantastic mentor and I highly recommend this course.
I think Lit Mag Love is a winner because it gives practical help for those writers who are ready to leap and just don’t know how. Doing this with a group made it “fun” in a way and it didn’t feel as if I were drudging along in my “room of one’s own.”
Lit Mag Love Student Stories
How Rowan built her writing network with no “writing establishment” connections.
![annefalkowski Gwen Martin tilts her head and looks at the camera with a slight smile. She has light, windswept hair and stands in a snowy, treed area, wearing a jacket and green and orange scarf.](https://rachelthompson.co/wp-content/uploads/Rowan.png)
Rowan McCandless’s self-taught approach to the craft helped her garner some success, including award wins in prestigious journals.
“I had some success with pieces that I’d submitted to contests, but I didn’t really know how to develop my network of where I would submit from there,” Rowan says.
Rowan joined Lit Mag Love because she lacked a writing network and connections to editors.
The guest editors who answered her questions in the course helped her do the networking she needed. “Those experiences were so informative,” she says. “They were just like little gifts, little writerly gifts.”
“Rachel created this online community of writers where we can meet and talk about our submissions successes and struggles and questions and comments.”
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Since taking Lit Mag Love, Rowan won the Constance Rooke CNF Prize, published with The Fiddlehead, The Malahat Review, and Prairie Fire. Her first collection of essays, Persephone’s Children will be published by Dundurn Press in October 2021.
How Tamara went from the heartbreak of rejection to saying “yes” to her writing.
![annefalkowski Gwen Martin tilts her head and looks at the camera with a slight smile. She has light, windswept hair and stands in a snowy, treed area, wearing a jacket and green and orange scarf.](https://rachelthompson.co/wp-content/uploads/tamara.jpg)
Before taking Lit Mag Love, Tamara had just heard back from a big MFA program with a big “NO!” (That’s how she says it felt to her. Written in all caps and with an exclamation mark.)
This big NO! shook her. She stopped writing for a month, and was “wrapped in a cocoon of self-doubt.” But a little voice inside her still wanted to be a writer. The spark was still alive.Tamara decided to try Lit Mag Love in the hopes of finding her way back to writing.
Through Lit Mag Love, Tamara learned to focus on her own motivations for sharing and submitting her writing and to build a plan that suits her true goals for her writing career.She worked with a renewed passion through the lessons, polished up her writing, and started sending out her work with a clear strategy tailored to her aspirations. Tamara shared encouragement with her peers in the Lit Mag Love community, and they shared the same with her.
“I had new energy for pieces that I dreaded revising and I submitted more work in a few months than the year before.” Tamara had come back to writing. While in the course, Tamara decided to apply for another writing program—this time she got a big “YES!”“I would not have been able to do all this if I hadn’t taken the course which helped me be more intentional with my submissions, deal with rejection (because it’s part of the writer’s deal), make some great new supportive writer friends (who totally get the writing ups and downs).”She says my course helped her focus on what really matters—the writing. (So true.)“I am indebted to Rachel and this wonderful course and recommend any of her courses. Rachel is a writer who gets writing.”
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Since taking Lit Mag Love, Tamara has published her writing in the anthology Body & Soul: Stories for Skeptics and Seekers, Room, and Carte Blanche.
![annefalkowski Gwen Martin tilts her head and looks at the camera with a slight smile. She has light, windswept hair and stands in a snowy, treed area, wearing a jacket and green and orange scarf.](https://rachelthompson.co/wp-content/uploads/annefalkowski.jpg)
“I had a weird thing happen,” Anne’s message opened.
It turns out, Anne had submitted a piece to ten lit mags and a lower-tier place accepted her work right away. The “weird” thing was when she withdrew from the higher-tier places, two got back to her telling her they were moved by her work and one said they would have published her piece had she not withdrawn it.Getting such positive response all at once from lit mags was not how things were for Anne before she joined Lit Mag Love.
Anne enrolled in Lit Mag Love because she was frustrated with the submission process. Up to that point, most of her work was getting rejected and she wouldn’t hear back from most literary magazines for many months.
“Getting published seemed nearly impossible,” Anne said.
Anne had gone from months and months of waiting—with many rejections—to having journals fighting to publish her work!Lit Mag Love showed her how she had been going at submitting “all wrong.”
“As soon as I took Rachel’s advice, I started to get acceptance letters in my email. (I just wish I had listened to her about submitting to my tier-one magazines first!)”
“I highly recommend Rachel’s lit mag publishing course. It really fuels you to get published and makes the process easy. The best thing is you will see results!”
Lit Mag Love Course Details
WHAT’S IN THE COURSE?
Each video lesson in the course comes with concrete, detailed assignment. You will need to have 3-5 hours available per week of the course session to do the assignments, but you set your own schedule. (For example, you could skip one week and double-up the next.)
Once registered, you will have lifetime access to the lessons.
During the course we have group office hours where you can come and ask questions live and video replays are available.
Live Calls & Feedback
1) Q&A Video Calls (Live Captioned)
These group calls clarify questions you have about the lessons and make sure that you have what you need to keep going. Writers typically attend two to three calls during a session.
2) Course message board
I am available throughout the week in our course community—a secure group in Slack where you can ask questions and get answers, plus interact with other writers.
Sliding Scale Pricing
I offer a sliding scale pricing model. Please consider your current income, your past and future income, and generational wealth when choosing your tier:
Support Tier 1
For recently unemployed writers or writers experiencing reduced income and who do not have access to generational or personal wealth.Standard Price Tier
For employed or retired writers, writers with access to personal or generational wealth, and writers who want to support my sliding-scale practice.Support Tier 2
For writers experiencing financial insecurity and who do not have access to personal or generational wealth and/or savings.BIPOC +/ Trans Reconciliation Pricing
This pricing is offered ONLY to Indigenous, Black and other writers of colour and transgender writers because systemic racism and transphobia create financial disadvantages for these communities.
BIPOC & or trans writers only: Register for $297
All prices in USD and include applicable taxes.
![](https://rachelthompson.co/wp-content/uploads/2020/06/visa-mastercard.jpg)
Securely pay with your Visa, MasterCard, or PayPal account.
Need More Info?
Here is and Outline of the Course Curriculum…
MODULE 1: TAILOR a LIST OF PUBLICATIONS
- Get Clear About Why You Want to Publish in Journals
- Explore the Lit Mag Landscape
- Pairing Journals to Fit Your Writing Goals
MODULE 2: PREPARE YOUR SUBMISSION
- What Do Editors Want?
- Ready Your Writing
- Preparing Your Submission
MODULE 3: BUILD YOUR SUBMISSIONS SYSTEM
- Goals & Systems
- Fine-Tune Your Lit Mag List
- The Cover Letter
MODULE 4: PREPARE FOR FEEDBACK
- Rejection and Hyper-Critical Feedback
- Types of Rejection
- The Art of Acceptance
Here are Some Frequently Asked Questions About the Course…
What exactly are lit mags?
Good question! Lit mags is short for literary magazines, and are also known as literary journals. They typically publish at least one genre of creative writing—nonfiction/essays, fiction, poetry, or mixed-genre forms. (And they may niche-down further into sub-genres of these forms.) For the purposes of this course, we look at any publication online, in e-book, or in print that will publish short fiction, creative nonfiction (essays, memoir), and poetry. The publications many people are familiar with are The New Yorker, or The Paris Review, but there are many, many lit mags out there and part of the course involves getting to know the various and vast lit mag landscape.
What days and times will Q&A Calls be held?
Attending our live Q&A calls is optional! You can join as many as you can. For this session, they are tentatively booked for Sundays, September 22, 29, and October 13 at 12 p.m. Eastern (9 a.m. Pacific), Tuesdays, September 24, October 8, and 22 at 1 p.m. Eastern (10 a.m. Pacific), and Wednesdays, September 26 and October 23 at 10 a.m. Eastern (7 a.m. Pacific). This schedule is subject to change.
Video replays are also available after each live call. Writers who can’t come live find the replays helpful to prompt more questions for our private message channels.
What writing do I need to have prepared?
It is ideal, but not required, that you have a draft submission of creative nonfiction, fiction, poetry, or mixed-genre writing prepared for this course. Don’t worry if it’s not “there” yet—we’re going to work on this in the course.
Will you provide feedback on my writing?
I provide feedback on both an excerpt of your work and your submission package, and I respond to every assignment you submit during the course. I also answer questions you have along the way (including questions about your writing) in video calls and on our private community channel.
When does the course start and end?
The course session starts on September 23 and ends on November 4, 2024. Each session of the course runs for six weeks and writers can work at their own pace, with lots of motivation to complete the assignments.
I can't make this session. When's the next one?
I will not offer Lit Mag Love again until September 2025.
How much does the course cost?
The full course price is 475 USD.
I offer sliding-scale pricing options of 397 USD for recently unemployed writers or writers experiencing reduced income and who do not have access to generational or personal wealth, 337 USD for writers experiencing financial insecurity and who do not have access to personal or generational wealth and/or savings, and reconciliation pricing of 297 USD is for BIPOC +/ Trans writers.
If it is easier for you to pay in installments there is the option to pay all of the above rates over four monthly payments.
Do you offer a sliding scale for lower-income writers?
Yes. I offer a sliding-scale rate for writers experiencing unemployment/income loss, and financial insecurity. I also offer reconciliation pricing for BIPOC +/ Trans Writers.
The full course price is 475 USD.
I offer sliding-scale pricing options of 397 USD for recently unemployed writers or writers experiencing reduced income and who do not have access to generational or personal wealth, 337 USD for writers experiencing financial insecurity and who do not have access to personal or generational wealth and/or savings, and reconciliation pricing of 297 USD is for BIPOC +/ Trans writers.
If it is easier for you to pay in installments there is the option to pay all of the above rates over four monthly payments.
Am I ready to take this step for my writing?
You read all the FAQs and made it to the bottom of this LONG page, so I think you answered your own question. (Yes!)
Still Have Questions? Use this form to ask me:
I highly recommend this course to anyone who wants to publish in literary magazines, but really any writer who is interested in joining a community and honing their craft.