Early Registration ENDS in:
The Lit Mag Love Course
Get a big “YES” for your writing from journals you love.
Early Registration Open Until May 1
Session Runs May 18–June 22
A Five-Week Guided Course
Get a big “YES” for your writing from literary journals you love. Learn how to submit writing more effectively and to kick-start your writing career, while you find and connect with your readers.
Not having much luck publishing in lit mags?
Does this sound familiar?
- You feel overwhelmed about sending your writing to journals. (Some of it has been languishing in drawers for years!)
- You submit to lit mags, but get frustrated with the long waits, followed by the heartbreaking sting of rejection. (What do editors want!?)
- You wish you could find a community of writers to support you and your dreams of getting published.
Publish & Shine!
after Lit Mag Love...
- Know the steps you must take to publish your work and take those steps with lots of support!
- Get a big “YES” for your writing from a dream journal—and then another, and another.
- Have a warm community of writers at your fingertips, with helpful advice and support when you need it.
If you are ready to set some big goals for your writing this year, I’m here to help you reach them.
Hi, I'm rachel Thompson
I am a literary magazine editor (with Room), a published author, and the host of the Write, Publish, and Shine Podcast.
I am here to help you publish your most luminous work.
The Course Alumni Have Published in Over 200 Journals and Anthologies!
Lit Mags Published
Click for a partial list of journals that published writers after they completed the Lit Mag Love course...
50 Word Stories
Angry Old Man Magazine
Apparition Literary Magazine
Atlas and Alice
Better Than Starbucks
Blank Spaces Magazine
Carve Literary Magazine
Cold Creek Review
Contemporary Verse 2
County Lines: A Literary Journal
Crab Fat Magazine
Crack The Spine
Cypress: A Poetry Journal
Door is a Jar Magazine
Escape Pod’s Artemis Rising 4
Flash Fiction Magazine
Freeze Frame Fiction
Glint Literary Journal
Hamilton Arts & Letters
Hart House Review
Humber Lit Review
Journal of Compressed Arts
Kissing Dynamite Poetry
Light and Dark Magazine
Little Fiction Big Truths
Marías at Sampaguitas
OPEN: Journal of Arts & Letters (O:JA&L)
Oyster River Pages
Red Alder Review
Red Eft Review
PØST poésie contemporaine
Riddled With Arrows
River Teeth Journal
Rust + Moth
Sabr Literary Magazine
Santa Fe Writers Project Quarterly
She Writes Press
Silver Birch Press
Sky Island Journal
Small Beer Press Lady Churchill’s Rosebud Wristlet
Tales To Terrify
The /tƐmz/ Review
The Antigonish Review
The Brevity Blog
The Cabinet of Heed
The Dalhousie Review
The Doctor T.J. Eckleburg Review
The Ekphrastic Review
The Feathertale Review
The Foundationalist Journal
The Globe and Mail
The Loyalhanna Review
The Malahat Review
The New Quarterly
The Wicked Library
The Writer Magazine
The Writing Disorder
Three Drops from a Cauldron
Vastarien: A Literary Journal
Watch Your Head
Wild Musette Journal
Lit Mag Love taught me to be more professional in terms of the writing practice. Getting published isn’t just throwing your work into the dark. You have to be strategic about it. I really liked that Lit Mag Love broke it down into specific goals.
Lit Mag Love was the impetus I needed to get serious and motivated about my submissions.
Rachel was a luminous guide offering equal parts gentle prompts and discerning truths.
My writing life has exploded since taking the Lit Mag Love course! I’ve had five short stories accepted in the space of a few months (along with some inevitable rejections) and I feel I’m really on the right track.
Being part of Lit Mag Love and working with Rachel Thompson transformed my writing by opening avenues to publications, developing community, and furthering my commitment to craft.
Rachel is a fantastic mentor and I highly recommend this course.
I think Lit Mag Love is a winner because it gives practical help for those writers who are ready to leap and just don’t know how. Doing this with a group made it “fun” in a way and it didn’t feel as if I were drudging along in my “room of one’s own.”
Lit Mag Love Student Stories
How Rowan built her writing network with no “writing establishment” connections.
Rowan McCandless’s self-taught approach to the craft helped her garner some success, including award wins in prestigious journals.
“I had some success with pieces that I’d submitted to contests, but I didn’t really know how to develop my network of where I would submit from there,” Rowan says.
Rowan joined Lit Mag Love because she lacked a writing network and connections to editors.
The guest editors who answered her questions in the course helped her do the networking she needed. “Those experiences were so informative,” she says. “They were just like little gifts, little writerly gifts.”
“Rachel created this online community of writers where we can meet and talk about our submissions successes and struggles and questions and comments.”
Since taking Lit Mag Love, Rowan won the Constance Rooke CNF Prize, published with The Fiddlehead, The Malahat Review, and Prairie Fire. Her first collection of essays, Persephone’s Children will be published by Dundurn Press in October 2021.
How Gwen went from never daring to publish to publishing and persisting to submit her writing.
”Gwen Martin freelanced as an editor for decades but had drawers filled with short stories and essays she never dared to think of publishing.
“It felt easier and more permissible to support other people’s creativity through editing their writing than to allow myself the same encouragement. Occasionally, I tried to organize writing sessions once a week with friends, hoping the accountability factor would kick in, but those attempts fizzled.”
Even when she sought inspiration in lit mags, she felt discouraged.
”I discovered so much fantastic writing that I felt, ‘What’s the point? Everyone’s light-years ahead of anything I could do.’ Besides, I was nearing 65 and believed my stories might be too … traditional. They’d never find a home in today’s lit mag scene. I knew – or thought I knew – that most mags’ first readers were younger writers who favoured edgy and experimental work. Besides, my brain shorted out trying to process the hundreds of literary magazines on the market.”
It took a health scare for her to break this cycle of thought.
“Fearing your life might end in a year is a gauntlet hurled to the ground. Serendipitously, I heard of the Lit Mag Love course and signed up immediately before I could invent One. More. Excuse.”
She says signing up for the course was the best writerly move she ever made.
“The Lit Mag Love course brought my writing intentions to life. Lesson after lesson, module after module, it gently but firmly encouraged a systematic approach that cut through the chaos of my earlier efforts. It made me take one tiny step after another until, almost without realizing it, I’d submitted stories to thirteen literary magazines.”
Learning about all the factors that influence an editor’s decision was a most helpful part of the course for Gwen.
“These sessions revealed the many factors (beyond writing quality) that affect editorial decisions. The more I learned about the realities of lit mag production, the more I came to view a story’s rejection as a step along its journey, not as an endpoint. One editor’s reject can become another editor’s gem. I’ll never look at writerly rejection again in the same way.”
But the best aspect of the course for her was the “community generous supportive souls who cheered each other on through every confusion question and rejection note.”
“Our Zoom meetings became the highlight of those early-Covid months. They offered a sense of writing positivity that lasted long after the course ended. I truly miss those meetings and my fellow participants, some of whom have become e-friends. Our group became more than the sum of our writerly selves, and I will carry the warmth, humour, and encouragement of those connections into my future writing life.”
She’s now enthusiastically fulfilling a promise to herself.
”I’m now solidly on the road to doing what I promised myself I would do, which is to keep writing with a view to publication. So far, I have three more stories in the hopper, almost ready to submit.
I’ve also gained the gumption to continue my formerly half-baked plans to write a mystery series. In fact, several lessons from the Lit Mag Love course have helped me to systematically design a database of potential characters, murder motives, and plot scenarios.
Meanwhile, as of two months after the course ended, I’ve received five rejections and one acceptance from those original thirteen magazines. I’m cheerfully prepped for another seven rejections, but you never know!”
Would she recommend the course to her friends? Yes!
“I’d tell that friend to make the leap and sign up. Period. The excellent course structure keeps you accountable, diligent, and productive. Learning how to research and create a customized, detailed submission list of literary magazines is worth the entire course alone.
The attentive community of participants – including the course leader, Rachel – offers the gift of regular feedback and support, which helps to reinforce the habit of writing daily and doing the work.
I’ve taken many writing workshops over the years. This is the first one that stuck.”
How Tamara went from the heartbreak of rejection to saying “yes” to her writing.
Before taking Lit Mag Love, Tamara had just heard back from a big MFA program with a big “NO!” (That’s how she says it felt to her. Written in all caps and with an exclamation mark.)
This big NO! shook her. She stopped writing for a month, and was “wrapped in a cocoon of self-doubt.” But a little voice inside her still wanted to be a writer. The spark was still alive.Tamara decided to try Lit Mag Love in the hopes of finding her way back to writing.
Through Lit Mag Love, Tamara learned to focus on her own motivations for sharing and submitting her writing and to build a plan that suits her true goals for her writing career.She worked with a renewed passion through the lessons, polished up her writing, and started sending out her work with a clear strategy tailored to her aspirations. Tamara shared encouragement with her peers in the Lit Mag Love community, and they shared the same with her.
“I had new energy for pieces that I dreaded revising and I submitted more work in a few months than the year before.” Tamara had come back to writing. While in the course, Tamara decided to apply for another writing program—this time she got a big “YES!”“I would not have been able to do all this if I hadn’t taken the course which helped me be more intentional with my submissions, deal with rejection (because it’s part of the writer’s deal), make some great new supportive writer friends (who totally get the writing ups and downs).”She says my course helped her focus on what really matters—the writing. (So true.)“I am indebted to Rachel and this wonderful course and recommend any of her courses. Rachel is a writer who gets writing.”
Since taking Lit Mag Love, Tamara has published her writing in the anthology Body & Soul: Stories for Skeptics and Seekers, Room, and Carte Blanche.
“I had a weird thing happen,” Anne’s message opened.
It turns out, Anne had submitted a piece to ten lit mags and a lower-tier place accepted her work right away. The “weird” thing was when she withdrew from the higher-tier places, two got back to her telling her they were moved by her work and one said they would have published her piece had she not withdrawn it.Getting such positive response all at once from lit mags was not how things were for Anne before she joined Lit Mag Love.
Anne enrolled in Lit Mag Love because she was frustrated with the submission process. Up to that point, most of her work was getting rejected and she wouldn’t hear back from most literary magazines for many months.
“Getting published seemed nearly impossible,” Anne said.
Anne had gone from months and months of waiting—with many rejections—to having journals fighting to publish her work!Lit Mag Love showed her how she had been going at submitting “all wrong.”
“As soon as I took Rachel’s advice, I started to get acceptance letters in my email. (I just wish I had listened to her about submitting to my tier-one magazines first!)”
“I highly recommend Rachel’s lit mag publishing course. It really fuels you to get published and makes the process easy. The best thing is you will see results!”
Lit Mag Love Course Details
WHAT’S IN THE COURSE?
Each video lesson in the course comes with concrete, detailed assignment. You will need to have 3-5 hours available per week of the course session to do the assignment, but you set your own schedule. (For example, you could skip one week and double-up the next.)
Once registered, you will have lifetime access to the lessons.
During the course we have group office hours where you can come and ask questions live. I aim to set these times for when the current cohort is available, however video replays are available.
Live Calls & Feedback
1) Q&A Video Calls (Live Captioned)
These group calls clarify questions you have about the lessons and make sure that you have what you need to keep going. Writers typically attend two to three calls during a session. Held at times to accommodate your cohort’s schedule, writers who miss a call benefit from watching call replays and following-up with more questions in our message board.
2) Course message board
I am available throughout the week in our course community—a secure group in Slack where you can ask questions and get answers, plus interact with other writers.
Early-Bird Pricing Open Until May 1
Early pricing ends in:
Sliding-Scale Pricing Tiers (New in 2021!)
I offer a sliding scale pricing model in the hopes to provide more access for writers in this moment when so many of us have lost jobs or have had our income drastically reduced. I believe in and trust the model of a sliding scale and believe and trust in all of you who join. I also offer Reconciliation Pricing for BIPOC and/or Trans Writers (see below).
Please consider your current income, your past and future income, and generational wealth when choosing your tier:
Support Tier 1For recently unemployed writers or writers experiencing reduced income and who do not have access to generational or personal wealth.
Price increases after May 1 to $299
Or four monthly payments of $65.
Payment-plan price increases after May 1 to $75/month.
Standard Price TierFor employed or retired writers, writers with access to personal or generational wealth, and writers who want to support my sliding-scale practice.
Price increases after May 1 to $399
Thank you for supporting my sliding scale practice.
Or four monthly payments of $90.
Payment-plan price increases after May 1 to $100/month.
Support Tier 2For writers experiencing financial insecurity and who do not have access to personal or generational wealth and/or savings.
Price increases after May 1 to $199
Limited to 10 spots per year; please choose another tier if you have means to do so.
Or four monthly payments of $40.
Payment-plan price increases after May 1 to $50/month.
BIPOC +/ Trans Reconciliation Pricing
I offer Reconciliation Pricing in recognition of how colonialism, white supremacy, and capitalism concentrates resources and wealth into the hands of the few at the expense of the many.
This pricing is offered ONLY to Black, Indigenous and other writers of colour and transgender writers because systemic racism and transphobia create financial disadvantages for these communities.
Because this tier is limited to 5 spots per year, if you are a BIPOC and/or trans writer with some means or funding, you may wish to choose from the sliding-scale tiers above.
Register Now: BIPOC +/ Trans EARLY PRICE $49
Regular Price (increases after May 1) is $99.
All prices in USD and include applicable taxes.
Securely pay with your Visa, MasterCard, or PayPal account.
Need More Info?
Here is and Outline of the Course Curriculum…
MODULE 1: TAILOR a LIST OF PUBLICATIONS
- Get Clear About Why You Want to Publish in Journals
- Explore the Lit Mag Landscape
- Pairing Journals to Fit Your Writing Goals
MODULE 2: PREPARE YOUR SUBMISSION
- What Do Editors Want?
- Ready Your Writing
- Preparing Your Submission
MODULE 3: BUILD YOUR SUBMISSIONS SYSTEM
- Goals & Systems
- Fine-Tune Your Lit Mag List
- The Cover Letter
MODULE 4: PREPARE FOR FEEDBACK
- Rejection and Hyper-Critical Feedback
- Types of Rejection
- The Art of Acceptance
Bonus: Commit to Submit Club
If you complete all of the course assignments during the live five weeks of the course, you will automatically be able to join our quarterly commit to submit club meetings. These meetings allow you to continue connecting with your writing peers from the course, and get feedback from me on your ongoing submissions strategy.
Here are Some Frequently Asked Questions About the Course…
Umm...So, what exactly are lit mags?
Good question! Lit mags is short for literary magazines, and are also known as literary journals. They typically publish at least one genre of creative writing—nonfiction/essays, fiction, poetry, or mixed-genre forms. (And they may niche-down further into sub-genres of these forms.) For the purposes of this course, we look at any publication online, in e-book, or in print that will publish short fiction, creative nonfiction (essays, memoir), and poetry. The publications many people are familiar with are The New Yorker, or The Paris Review, but there are many, many lit mags out there and part of the course involves getting to know the various and vast lit mag landscape.
What days and times will Q&A Calls be held?
The live calls are usually set early in the day and held at least one weekend day per session. I make sure there’s at least one live time that will work for every writer in the course. Video replays are also available after each live call, and writers find it helpful to watch them and then bring more questions to our community message board.
What writing do I need to have prepared?
It is ideal, but not required, that you have a draft submission of creative nonfiction, fiction, poetry, or mixed-genre writing prepared for this course. Don’t worry if it’s not “there” yet—we’re going to work on this in the course.
Will you provide feedback on my writing?
Although this is not a course about writing craft, I will provide feedback a short excerpt of your work. And I provide feedback on each and every assignment you complete, and answer any questions you have along the way, in our live video calls and our private community space.
What are commit to submit meetings?
If you complete all of the course assignments during the live five-weeks of the course, you will automatically be able to join our quarterly commit to submit club meetings. These meetings allow you to continue connecting with your writing peers from the course, and get feedback from me on your ongoing submissions strategy.
When does the course start and end?
This session starts on May 18 and ends on June 22, 2021. Each session of the course runs for five weeks.
How much does the course cost?
The course costs $399 USD. If you prefer to pay in installments, you can choose the option to pay four monthly payments of $100 instead.
Early registration opens one month before the course starts and you can save $50 on your registration during the early-bird registration period.
New in 2021! I offer sliding-scale pricing and a BIPOC +/ Trans Writers’ Reconciliation Rate. See the prices above.
Do you offer prices for lower-income writers?
New in 2021! I offer a sliding-scale rate for writers experiencing unemployment/income loss, and financial insecurity. I encourage writers to consider their current income, past and future income, and generational wealth when choosing their price on the scale.
All the pricing details appear above.
I also offer Reconciliation Pricing for BIPOC and/or Trans Writers.
Do I need to show proof of income to benefit from sliding-scale tiered pricing?
For access to my sliding scale, I don’t ask to see any “proof” of income; I rely on the honesty, integrity, and accountability of writers in our community, allowing you the opportunity to self-select where you fall on the scale.
Should all BIPOC and trans writers pay the reconciliation price?
The reconciliation price is for writers who are Black, Indigenous, People of Colour (i.e. non-white, racialized writers), and transgender writers. If you intersect with one or more of these identities, you are welcome to use this price to pay.
Because spots at the reconciliation price are very limited, if you are a BIPOC or trans writer and can afford another pricing tier, I encourage you to leave these spaces for writers without those means.
Am I ready to take this step for my writing?
You read all the FAQs and made it to the bottom of this LONG page, so I think you answered your own question. (Yes!)
Still Have Questions? Use this form to ask me:
I highly recommend this course to anyone who wants to publish in literary magazines, but really any writer who is interested in joining a community and honing their craft.